MANLEY LABS NU MU STEREO LIMITER COMPRESSOR

The Manley Nu Mu Stereo Limiter Compressor uses the special T-Bar mod tube front end of the legendary Variable Mu® with same super smooth side chain and timing characteristics followed by a high voltage discrete and FET solid-state amplifying and output stage for a faster and punchier audio path. It is like a “clean" version of the Variable Mu, especially suited for modern digital and electronic music where you don’t necessarily need to color or mask the sound like we did in the early days of digital.

Featuring Manley’s new HIP function, the Manley Nu Mu finesses dynamic control to bring up lower level details without knocking the life out of exciting transients. Smartly engineered to build efficiently and esthetically designed to elicit ravishing compliments from your clients, both visually and ergonomically, the Manley Nu Mu breaks new ground in performance and value, all proudly hand-built in California, of course! NOTES FROM EVEANNA MANLEY: "So: taking the smoothest & best version of the Variable Mu - the T-BAR mod where we use two 6BA6 Pentodes strapped as triodes to achieve characteristics just about identical to the revered 6386 tubes of the original version (or the Fairchild) - we have the same front end as the Variable Mu. From there we then go into high voltage discrete transistor and FET amplification and drive circuitry. No chips! So this is, yes, less expensive than the all-tube Variable Mu; and also being transformerless on the outputs, very much the clean version of the Variable Mu. "Let’s think back to the early 1990’s when the Variable Mu first came out. Recording was a different world. There was still plenty of recording to tape occurring in the big studios. And then digital was not really excellent yet. It was flat sounding and a bit "glary". A big round heavy-handed vibey sound like The Variable Mu was exactly what was needed then. Skipping forward to today, we have really excellent digital converters, and of course it is our de facto standard now. So we don’t need this big masking sound for everything we are doing today, especially for electronic music / EDM where we want to retain super crisp and punchy sounds. We don’t want to add more vibe or slow down the sound. Thus a clean, fast and punchy solid state limiter compressor is what the world needs now. And here is what we have with the Manley Nu Mu.

It also comes in well under $3,000, so yeah - for all of our individual musician and home recording customers, it is very well-priced for them."

1. OUTPUT CONTROL. The OUTPUT control is available on both the L and R channels. It adjusts the output level of that audio channel. Unity gain is about the ninth marking, or 11 o'clock.

2. THRESHOLD CONTROL. The THRESHOLD control is available on both the L and R channels. THRESHOLD or gain reduction sets the necessary amplitude for compression or limiting to take effect. The most extreme effect is when the control knob is set to MIN or fully counter-clockwise.

3. COMPRESS / LIMIT SWITCH. This switch allows the Nu Mu to use two different compression ratios, offering either Compression at approximately 3:1 when the switch is engaged and illuminated, or Limiting at approximately a 10:1 ratio.

4. IN / BYPASS SWITCH. The BYPASS switch in the Nu Mu is a ‘Hardwire’ bypass for maximum performance. If the switch is engaged and illuminated to the “IN" position the audio will pass through either the Limiter or Compressor, so all the front panel controls will function. Use this switch to verify that the limiting or compressing is not messing up the original sound but enhancing it or at least leveling the volume.

5. VU METER. The Large custom VU meters allow easy tracking of both channels with the Nu Mu. It shows the amount of gain reduction in dB from the 0 dB mark, when the switch (7) is set to REDUCTION. When this switch is selected to O/P and illuminated, the meter measures the output in decibels.

6. HIP CONTROL. The "Hip" control allows compression to happen at lower volumes (lower in the dynamic range spectrum) but leaves the louder dynamics alone while still compressing the overall signal. You get louder soft sections and original dynamics of the louder sections. Previously the only way to get around this issue has been parallel compression, where the compressed signal is mixed with the uncompressed signal. Our "Hip" control achieves a similar effect while being easier to use, requiring less hardware (no need for extra mixing externally).

7. METER SELECT SWITCH. The Meter select switch allows the user to monitor either Gain Reduction or the Output of the unit. When the switch is engaged and illuminated, the output of the particular channel you are monitoring is visible in the corresponding VU Meter.

8. ATTACK CONTROL. The ATTACK control determines how long the compressor takes to respond to signals above the